Have you ever heard of a “little” title called Hotline Miami? If you’re someone who looks at screenshots only, it’s a game you’d think is the worst thing ever, and from a glance, it’s hard not to see why someone would think that. The thing about Hotline Miami is, however, it was made by 2 geniuses who knew what they were doing and poked at people’s reactions to it. I’m not going to ruin the big surprise that the first game holds, but I think that if you do beat it and tried your best to follow along with the plot, it’s a great idea to look at an analysis of the events afterward to fully understand what I’m talking about here.
…oh wait, I’m supposed to be talking about a shitty game… my bad! Bloodbath Kavkaz, or Hotline Kavkaz (as it was originally called before Devolver Digital, the publisher of both Hotline Miami games, told the developers of this steaming pile to rename it), is not a good game. It’s not terrible because it’s a game that tries to copy off of the success of one of my favorite games of all time, people take inspiration from everything and it simply wouldn’t be fair for me to judge a game like that. It’s a terrible game because it was made by people who didn’t have a grasp on what made the mechanics in Hotline Miami work so well, to begin with.
The camera is terrible, and so is the movement. Everything feels clunky, and your ability to see the enemies is tampered by the fact that you can’t look around (basically what I meant by the ‘camera’). I’ve heard common criticism of Hotline Miami be that the AI is randomized so it’s almost pointless to think out your actions, and while I can understand that argument, I think the unpredictable movement gives the game the edge to let the player use its tools to come up with new tactics as they play… not in Bloodbath Kavkaz! When the AI isn’t just straight up cheating, it’s braindead. It doesn’t matter that the bad dudes you shoot at are stupid because you can’t look around the map like you can do in Hotline Miami, so the game becomes a giant game of trial-n-error over skill and thinking.
Also, there’s a story. All I could get from it was that it’s about some guy joining back into something (it’s not really ever made clear what he’s getting back into), and then I shot some dudes, and then the game glitched and the language switched backed to Russian. Oh yeah, that happens allot. Several times, while reading the poorly translated dialog that becomes comedic gold in areas where it shouldn’t (it’s seriously as if they used Google Translate or a person who isn’t very well-versed in the English language, to do the work for them), I suddenly wouldn’t be able to read what the developers intended me to read. It also starts out in Russian with the only way to switch it to English being buried in its options menu, and a super-buggy level editor that looks suspiciously like Hotline Miami 2’s editor, but only in Russian and with 50 times the bugs of Miami’s editor.
Yeah, don’t buy this horseshit. I bought it for less than a dollar, but even if I got it for free I still would have felt ripped off. Again, Kavkaz isn’t apalling because it apes a mesmerizing game, it’s apalling because the developers clearly wanted to make Hotline Miami but couldn’t understand why it was mesmerizing at all.